My aim was to
capture the essence of violence portrayed through a fabrication of skits. Creating
a narrative with miniature faking, outlines the concept of war and its
environment would create a captivating, visually compelling and intense journey
for the viewer. I wanted to adapt to the combat surroundings and build the
atmosphere around nature so the photographs become an aberration compilation.
The photograph would develop a selective focus prospect due to the change of
aperture. The aim was not to create a balanced compilation, instead I wanted to
involve tilt-shift which the highlights the approach of movement, as well as
using the depth of field to my advantage by intersecting the point beneath the
lens which increases the width and depth.
- Use the depth of field to create a selective focus in my photographs
- Use tilt-shift photography to create a miniature faking
- Use a diorama effect to create a illusion
- To make sure the viewer doesn't understand the photographs straight away and builds many opinions and perspectives about it
- Build a emotional connection with the viewer as they gain sympathy due to the purpose behind the photograph
- Challenge societies's norms and values with the issue of the digital age as war photography isn't seen as iconic and important in today's generation
- Examine how society looks at conflict
- To create a controversial meanings behind the photographs
- Replicate David Levinthal's ideology and technique in miniature faking
- To create a realistic reality within the skits
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